For an extremely comprehensive record of the whole shooting process from storyboarding to finish, have a look at Paul Bryan's site: http://www.pmbryan.com/knuckles.html
Friday, June 4, 2010
The capabilities of cameras
Great new music video by Paul Blake for Parisien DJ Knuckles (now called Sovnger), shot using an Olympus i-SPEED 3. The slow motion editing is excellent, you get the delayed flickering lights of the Paris metro, the still-sharp detail in each shot while filmed in motion, and the well executed interplay between slow and sped up footage. This particularly interested me, having just shot a video using slow motion editing on another dig camera, so it was good to see how it comes out with the different camera. The fact that digital still cameras can now shoot video that looks this good makes the possibilities endless and really mobilises the digital camera even further. It is becoming so that you really only need one mechanism for a whole array of imaging functions. Which is interesting, as i was talking today with someone about the fact that people need to be multi-taskers today; it is not really enough to specialise in one area any more, and it seems the more skill bases you can add to your cap the better. That said, this video is definitely one to watch.
KNUCKLES | BLAKE - WHAT I LIKE from Paul Bryan on Vimeo.
For an extremely comprehensive record of the whole shooting process from storyboarding to finish, have a look at Paul Bryan's site: http://www.pmbryan.com/knuckles.html
For an extremely comprehensive record of the whole shooting process from storyboarding to finish, have a look at Paul Bryan's site: http://www.pmbryan.com/knuckles.html
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