Another Moderat video clip, this time with an amazing sequence of exploding concrete pylons. The detail is incredible, and the clip has a slow build up that really draws out the suspense until the action unfolds. The anticipation it creates does pay off, and the visual effect is rather mesmerising to watch. The collaboration with the BAM institute for material research in Germany (who among other things test the impact of aeroplanes on buildings) is behind this film, creating the concrete to be detonated under high pressure. Its a very stark and simple video, and for that it is also striking, and seems to be the signature aesthetic for Moderat's music.
Wednesday, June 16, 2010
Fabric and Film
This videoclip for Moderat capitalises on the sensuous and sculptural form that fabric can take. Beautifully shot, it has that indulgent element with the flowing fabric while also looking thoroughly modern with the camera technique and black background. Really lovely.
Monday, June 14, 2010
Soundsuits
Amazing and inspirational. The work of Nick Cave is like an explosion of energy and imagination, combining the visually extraordinary, wearable art pieces with the idea of movement. Coming from a dance background, and teaching fashion in Chicago, he plays with modifying the body and extending it through clothing and how one then moves when wearing one of his Soundsuits. The name came about after realising what sounds were being produced when he put the first one on - it was an unintentional outcome. What has resulted is a whole-body experience that incorporates all the senses and is truly arresting to watch.
Friday, June 4, 2010
The capabilities of cameras
Great new music video by Paul Blake for Parisien DJ Knuckles (now called Sovnger), shot using an Olympus i-SPEED 3. The slow motion editing is excellent, you get the delayed flickering lights of the Paris metro, the still-sharp detail in each shot while filmed in motion, and the well executed interplay between slow and sped up footage. This particularly interested me, having just shot a video using slow motion editing on another dig camera, so it was good to see how it comes out with the different camera. The fact that digital still cameras can now shoot video that looks this good makes the possibilities endless and really mobilises the digital camera even further. It is becoming so that you really only need one mechanism for a whole array of imaging functions. Which is interesting, as i was talking today with someone about the fact that people need to be multi-taskers today; it is not really enough to specialise in one area any more, and it seems the more skill bases you can add to your cap the better. That said, this video is definitely one to watch.
KNUCKLES | BLAKE - WHAT I LIKE from Paul Bryan on Vimeo.
For an extremely comprehensive record of the whole shooting process from storyboarding to finish, have a look at Paul Bryan's site: http://www.pmbryan.com/knuckles.html
For an extremely comprehensive record of the whole shooting process from storyboarding to finish, have a look at Paul Bryan's site: http://www.pmbryan.com/knuckles.html
Wednesday, June 2, 2010
Ali Larrey
You can find some amazing things in the Behance network. While doing some research for a photo shoot, i came upon the work of Ali Larrey, an art director, set designer, and floral designer based in Madrid. Her work is opulent, evoking historical excess through her compositions and love of decoration. I put up a few images here of a spread called The Atelier, these ones in particular caught my eye for the styling and the poses of the model. I particularly like the bathtub image for its colours and semi-quirky positioning.
THE ATELIER
LUCÍA SE CASA Magazine
Photographer: Antonio Cordero
Stylist: Abraham Gutiérrez
Set Design: Ali Larrey & Enrique Ferrero
THE ATELIER
LUCÍA SE CASA Magazine
Photographer: Antonio Cordero
Stylist: Abraham Gutiérrez
Set Design: Ali Larrey & Enrique Ferrero
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